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Strymon Mobius

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ื”-Mobius ื”ื•ื ืžื•ืœื˜ื™ ืืคืงื˜ ืฉืœ ืžื•ื“ื•ืœืฆื™ื•ืช ืฉื ื—ืฉื‘ ื›ื‘ืจ ืœืกื˜ื ื“ืจื˜ ื‘ืฉื•ืง – ื”ื•ื ื ื•ืชืŸ ืœื›ื 12 ืžื›ื•ื ื•ืช ืžื•ื“ื•ืœืฆื™ื” ืื’ื“ื™ื•ืช, ื•ืจืกื˜ื™ืœื™ื•ืช, ืžืขื•ืจืจื•ืช ื”ืฉืจืื” ื•ื”ื›ืœ ื‘ืืจื™ื–ื” ื ื•ื—ื” ืœืฉื™ืžื•ืฉ ืขื ืฉืžื™ืจื” ืฉืœ ืขื“ 200 ืคืจื™ืกื˜ื™ื, ืืคืฉืจื•ืช ืœืฉืœื™ื˜ื” ืžืœืื” ื‘-MIDI ื•ืžืฆื‘ Pre/Post ืฉืžืืคืฉืจ ืœืžืงื ืืช ื”ืžื•ื‘ื™ื•ืก ื‘ืฉื ื™ ืžืงื•ืžื•ืช ืฉื•ื ื™ื ื‘ืฉืจืฉืจืช ื”ืืคืงื˜ื™ื (ืžื•ื ื•) ื‘ืœื™ ืœื—ื•ื•ื˜ ืžื—ื“ืฉ.

ืงื™ื™ื ื‘ืžืœืื™

Strymon Logo Transparent 300
  • 12 ืžื•ื“ื•ืœืฆื™ื•ืช ืฉื•ื ื•ืช ืขื ืžืงื•ื ืœ-200 ืคืจื™ืกื˜ื™ื
  • ื›ื ื™ืกื•ืช ื•ื™ืฆื™ืื•ืช ืกื˜ืจื™ืื•ืคื•ื ื™ื•ืช
  • ืฉืœื™ื˜ื” ื‘ื›ืœ ืคืจืžื˜ืจ ื‘-MIDI ื•ืืงืกืคืจืฉืŸ
  • ื”ืกื™ื’ื ืœ ื”ื™ื‘ืฉ ื ืฉืืจ ืื ืœื•ื’ื™ ืœื—ืœื•ื˜ื™ืŸ
  • ื”ืกื˜ื ื“ืจื˜ ื”ืชืขืฉื™ื™ืชื™ ืœืคื“ืืœ ืžื•ืœื˜ื™-ืžื•ื“ื•ืœืฆื™ื”

ืกื•ื’ื™ ื”ืžื•ื“ื•ืœืฆื™ื•ืช ืฉื”ืคื“ืืœ ืžืฆื™ืข:

  1. Chorus: ืฉืœื•ืฉื” ืืœื’ื•ืจื™ืชืžื™ื ืฉืœ ืงื•ืจื•ืก. dBucket ื”ืžื“ืžื” ืงื•ืจื•ืก ืื ืœื•ื’ื™, Multi ื”ืžื“ืžื” ืžื•ืœื˜ื™ ืงื•ืจื•ืก ื›ืžื• ืฉืœ ื™ื—ื™ื“ืช ืจืืง ืžื”-80s ื•-Vibrato ืฉื ื•ืชืŸ 100% ืกื™ื’ื ืœ ืจื˜ื•ื‘ ืฉืœ ืžื•ื“ื•ืœืฆื™ื•ืช ืคื™ืฅ’.
  2. Flanger: ืฉืœื•ืฉื” ื“ื™ืžื•ื™ื™ื ืฉืœ ืคื“ืืœื™ื ืื’ื“ื™ื™ื ืฉืžืงื•ื˜ืœื’ื™ื ืœืคื™ ืฆื‘ืข (Silver, Grey ื•-Black) ืขื ืžืฆื‘ + ื•- ืœื›ืœ ืื—ื“ ื•2 ื“ื™ืžื•ื™ื™ื ืฉืœ ืคืœื ื’’ืจ ืžืžื›ื•ื ืช ื˜ื™ื™ื (Zero+ ื•-Zero-).
  3. Rotary: ื“ื™ืžื•ื™ ืฉืœ ืœืกืœื™ ืกืคื™ืงืจ.
  4. Vibe: ื”ืืคืงื˜ ื”ืงืœืืกื™ ืฉืœ ื™ื•ื ื™ื•ื•ื‘ ืขื ืžืฆื‘ ืงื•ืจื•ืก ื•ืžืฆื‘ ื•ื™ื‘ืจื˜ื• ื•ืฉืœื™ื˜ื” ืจื—ื‘ื” ืฉืžืืคืฉืจืช ืœืฉื—ืง ื‘ื™ืŸ ื”ืกืื•ื ื“ ื”ืžืงื•ืจื™ ืœืกืื•ื ื“ื™ื ื—ื“ืฉื™ื.
  5. Phaser: ืคื™ื™ื–ืจ ืขื 6 ืžืฆื‘ื™ Stage ืฉื•ื ื™ื – 2,4,6,8,12 ื•-16!
  6. Filter: ืคื™ืœื˜ืจ ืขื ืฉืœื™ื˜ื” ืจื—ื‘ื” ืฉื™ื›ื•ืœ ืœื”ื™ื•ืช Low pass, High Pass ืื• ืื ื•ื•ืœื•ืค ืคื™ืœื˜ืจ.
  7. Formant: ืžืขืฆื‘ ืคื•ืจืžื ื˜ ื”ืžืืคืฉืจ ืœื›ื ืœื’ืจื•ื ืœืกื™ื’ื ืœ ืฉืœื›ื “ืœื‘ื˜ื” ื”ื‘ืจื•ืช ืฉื•ื ื•ืช (ืื™ื™, ืื™, ืื•, ืื”..)
  8. Vintage Trem: ืขื ืฉืœื•ืฉื” ืžืฆื‘ื™ื ื”ืžื“ืžื™ื ืืช ื”ื˜ืจืžื•ืœื•ืื™ื ื”ื˜ื•ื‘ื™ื ื•ื”ื™ืฉื ื™ื ืžืžื’ื‘ืจื™ ื’ื™ื˜ืจื”: ื˜ืจืžื•ืœื• ื”ืจืžื•ื ื™, Tube ื˜ืจืžื•ืœื• ื•-Photo ื˜ืจืžื•ืœื•.
  9. Pattern Trem: ื˜ืจืžื•ืœื• ืขื ืกื™ืงื•ื•ื ืกืจ ืฉืœ ืขื“ 8 ื‘ื™ื˜ื™ื/ืชืชื™ ื—ืœื•ืงื•ืช ืฉื•ื ื•ืช ื”ืžืืคืฉืจ ืœื™ืฆื•ืจ ืงื˜ื™ืขื” ืจื™ืชืžื™ืช ืžื™ื•ื—ื“ืช ื•ื—ื“ื”.
  10. Autoswell: ืžืืคืฉืจ ืžืขื‘ืจ ืœืจืง ืกื•ื•ืœ ืฉืœ ื•ื•ืœื™ื•ื – ืขื ืื•ืคืฆื™ื” ืœื”ื•ืกื™ืฃ ืงื•ืจื•ืก/ื•ื™ื‘ืจื˜ื• ืœืกื™ื’ื ืœ ื‘ืขื–ืจืช ื”-Depth, ื•ืฉืœื™ื˜ื” ืจื—ื‘ื” ืขืœ ื–ืžืŸ ื”-Rise.
  11. Destroyer: ื‘ื™ื˜ ืงืจืืฉืจ/ Sample Reduction ื”ืžืืคืฉืจ ืœื™ืฆื•ืจ ืืคืงื˜ื™ื ืœื• ืคื™ื™ ืžื’ื ื™ื‘ื™ื.
  12. Quadrature: ืžื•ื“ื•ืœืฆื™ื” ืฉืชืฉื—ื™ื˜ ืืช ื”ืกื™ื’ื ืœ ืฉืœื›ื ื‘ืžื’ื•ื•ืŸ ื“ืจื›ื™ื (AM, FM, Frequency shift) ื•ืชืฆื•ืจื•ืช ื’ืœ.

ืคืจื˜ื™ื ื˜ื›ื ื™ื™ื

  • ืฉืœื™ื˜ื” ืกื•ืคืจ ืงืœื” ื•ืื™ื ื˜ื•ืื˜ื™ื‘ื™ืช ืขืœ ื”ืคืจืžื˜ืจื™ื ื”ืกื˜ื ื“ืจื˜ื™ื™ื ืฉืœ ืžื•ื“ื•ืœืฆื™ื•ืช (Speed, Depth, Level).
  • ืฉืœื™ื˜ื” ื‘-2 ืคืจืžื˜ืจื™ื ื ื•ืกืคื™ื ืฉื ื™ืชืŸ ืœื‘ื—ื•ืจ ื‘ื›ืœ ืคืจื™ืกื˜ (PARAM 1\2).
  • ืฉืžื™ืจื” ืฉืœ ืขื“ 200 ืคืจื™ืกื˜ื™ื.
  • ืืคืฉืจื•ืช ืœืฉืœื™ื˜ื” ืžืœืื” ื“ืจืš MIDI.
  • ืžืชื— ืขื‘ื•ื“ื”: 9VDCย  (ืกืคืง ื›ื— ื›ืœื•ืœ).
  • ื•ืฆืจื™ื›ืช ื–ืจื: 300ma.
  • ืชื•ืฆืจืช ืืจื””ื‘.
  • ย ืฉื ื” ืื—ืจื™ื•ืช.

ื‘ื—ื–ืจื” ืœืžืขืœื”
ื“ื™ืœื•ื’ ืœืชื•ื›ืŸ